Analysis
An opinion on why PETA’s COS runway disruption was the wrong tactic, why the physical response still requires scrutiny, and how evidence-led advocacy could make a stronger case.
Analysis
NYFW Spring 2027 joined expressive practicality, revived house codes, and theatrical finales in a season defined by joy, craft, and creative conviction.
First Look
A September route through World Press Photo, Japanese Women Photographers, and NINAGAWA Mika’s Captive Blooms explores how context, curation, and setting shape photographic attention.
Update
Smaranika Sarangi carries Drape Dead Elegance from Asian NYFW into two London runway settings, building an international week around the label’s evolving design voice.
Analysis
Apple’s September 9 event could clarify when its next Apple Intelligence features reach users. The important questions concern Siri’s release schedule, supported devices, app integration and regional access, with new hardware relevant chiefly for what it changes about those capabilities.
First Look
London Fashion Week brings craft, repair, and circular practice into focus through textiles, construction, expressive mending, and material experiment.
Analysis
New York Fashion Week is flourishing across official and independent stages. Its expanding map needs clear identities, thoughtful coordination, and a strong shared centre.
First Look
Hong Kong's September programmes gave emerging design and denim a layered stage across exhibition, runway, workshops, and industry conversation.
First Look
The Spring/Summer 2027 womenswear circuit moves through New York, London, Milan, and Paris with creative debuts, returning houses, and retail experimentation shaping the month.
First Look
Ian Watts’ Carnival archive connects photographic timing, changing tools, community representation, and the long-term value of returning to one subject.
First Look
Lee Miller: Fearless brings approximately 150 photographs to Chicago, tracing the connections between her fashion work, Surrealist experiments, portraiture, and reporting.